Tuesday, June 19, 2018

Making Poppets

A "poppet" is a doll used in sympathetic magic to be used as a link to the target of a spell.  If you think about the confused pop-culture notion of the "voodoo doll", that's more or less what we're talking about.  In general, it is always best to try to deliver spell materials directly to the target, so that they handle them with their own hands (or, ideally, ingest them).  However, when that is not possible, a poppet can be extremely useful.

The simplest type of poppet is the photo poppet.  In it, the basis for the poppet is a printed out photo.  Today's internet being what it is, you can find a photo of almost anyone.  Choose a recent photo, with no other people in it.  (unless you are also targeting them) Ideally, you want a photo where they are looking directly into the photo.  Avoid photos with crossed arms or other body language conveying guardedness.  Crop the photo to center the person and remove most of the background.  Print it out.  On the back of the printout, write the target's full name, birthday, and any other identifying information you know (such as parents' names, job or other titles, and etc).  The more specific you can be, the better.  Continue writing until you have completely filled the available space.  It's ok to repeat things.  If you have the talent to do a good job, a hand drawn picture is much more effective than a photo.

The next easiest kind is a poppet jar.  In these poppets, the base is a jar (or box) containing the essence of a person.  Begin by cleaning the jar very well, including scrubbing it with salt.  Collect as many personal concerns of your target as possible (business cards, hair, used tissues, dirt from their house, photos, names, birthdays, signatures, perfume, clothes, etc) and place them in the jar.  If there is space remaining, full it with herbs appropriate to the work at hand.

Poppets can be formed from wax or clay.  In these cases, you'll want to either mix the personal concerns in (which usually means reducing them to ash, and mixing that in) or form the doll around them (which is called the "core" of the poppet).  The most typical kind of poppet is sewn from cloth, which is stuffed with personal concerns and herbs (like the jar).  Tip: use a chopstick to help push the stuffing into the limbs.  Really, though, there is a near infinite variety of ways to make poppets.  Corn husks are nice, as are twigs tied together to make a stick figure.  More important that the construction is the next step, the baptism.

Light some incense over charcoal, to make a big cloud of smoke.  Mugwort is a good choice, or a mixture appropriate to the purpose you will put the poppet to.  Take a deep breath in of the smoke, and blow it out over the poppet.  Say something like: "Creature of dead matter, I have formed you as ___NAME____. I breathe into your nostrils the breath of life, and you become a living being.  You are a double of ____NAME____, and whatsoever is done to you happens to them."  Do this two more times.

Sprinkle the poppet with some living water (ie, water collected from a moving natural source, such as spring, river, or rain water), and say something like "Creature of matter, I have formed you as __NAME___.  I baptize you ___NAME____.  You are the double of ___NAME___ and whatsoever is done to you happens to them."  Do this two more times.

Pass the poppet through the smoke, and say something like "____NAME___ breathe deep of this magic smoke.  Be infused with its enlivening magic.  You are a double of ___NAME____, and whatsoever is done to you happens to them."  Do this three times.

"By the powers of three times three, ever ___NAME___ this doll shall be. Amen. Amen. Amen."

Saturday, June 2, 2018

Magic Chants of the Sex, Drugs, Music, and Sorcery Cult of Ancient Greece

As many of you know, the Orphic Hymns are a collection of 87 sacred chants from late antiquity addressed to the gods of Greece and Anatolia.  They were most likely written somewhere between 200 BCE and 200 CE in what is now Eastern Turkey, although they undoubtedly but one part of a much larger and older tradition.

 If you have read them, it was almost certainly in the classic 1790s translation by Thomas Taylor.   Taylor was an excellent translator, and a pagan himself.  His translations, however, are often occluded, both by their antiquated language and their 1790s sensibilities.  Every translator brings their own biases to a translation, and Taylor's point of view is that of a rich British aristocrat of the 1790s.  For example, the Greek word that literally means "bed partner" is translated by Taylor as "bride" when it refers to women and "friend" when it refers to male lovers.  It's not just antiquated British sexual mores that color Taylor's translations, he also didn't have available the depth and breadth of understanding of ritual, trance, and entheogenic practices of the Orphic cult that we are only recently recovering.

I'm in the process of retranslating the Orphic Hymns, a project you can learn more about at www.OrphicHymns.com where you can also pre-order a book.  My translations try to replicate, in modern English readers, the same feeling produced in initiates by the Greek originals.  Like Taylor, I write in the so-called "heroic verse", strongly metered iambic couplets which are the de facto standard for magical chants in the west, and also the usual way Greek dactylic hexameter in translated into English.  A working magician myself (you can see more about my magical practice at Mastros & Zealot: Witches for Hire), my translations are specifically designed to be used, as were the originals, as invocations of the gods' presence and force.

Because they are the teachings of an eastern-influenced mystery cult, several of the hymns are dedicated to gods obscure in "mainstream" Greek mythology.  For example, Hipta, Mise, and Melinoe were entirely unknown by those names save for their Orphic hymns until their names were found on ancient temples excavated in Anatolia in the late 20th century.  The hymn I'd like to share with you today is not quite so obscure as that, but is, perhaps, not a god you know.

Sabazios is the great Horse Lord of the Thracian/Phrygian (modern Turkey) steppes.  If you imagine a deified Khal Drogo, you're in the right ballpark. His worship was ecstatic, and almost certainly involved the small mushrooms we call "liberty caps" (Psilocybe semilanceata), but which were, of old, called "Phrygian hats".  You can see an image of Sabazios wearing a the aforementioned hat on the left, and the mushrooms on the right.

Image result for sabazios        Image result for liberty cap

In Greece, Sabazios was often syncretized with both Zeus and Dionysus. Below, I present my first draft of a translation of his Orphic Hymn, usually considered very obscure. I believe I can explain every part of it by adding some scare quotes. I have deviated from the traditional translations, but kept as close as possible to a literal understanding of the Greek. Several notes explaining my choices are below.

Orphic Hymn #47: For Sabazios

Listen to your daughter, the rebel rhapsode,
Forefather Sabazios, glorious daimon of old.
You’re the father of Bacchus, and the son of cruel Kronos,
Wailing, you “stitched up your thigh” to become Dionysus,
When you came to the rites of Tmolos's peak,
And took your place beside Hipta, of beautiful cheek.
High king of Phrygia, blessed guardian of all,
Be gracious to your initiate when she comes to call.

"Rhapsode" is a greek word for "bard". It literally means "stitcher of stories". You'll see the root "rapsos" or ῥάψις which means "sew" below. This line is my own invention, it is an expansion of the "Κλῦθι" or "Listen Up!" which begins this hymn.

"Eiraphiotes" is usually an epithet of Dionysus, of contested etymology. A likely false folk etymology comes from ῥάψις (to stitch), and that word play was probably intended here.

In some other literature of the ancient Mediterranean (including Torah), "thigh" is a euphemism for male genitals.  I believe it is here as well.

Mt. Tmolos, pictured below, is now called Mt. Bozdağ. It is in Izmir, Turkey. It is named (in Greek) after Tmolos, the oak-clad mountain king, and son of Ares. He was the first husband of the demigoddess Omphale who is most famous as the dominatrix of Hercules.

At Mt. Tmolos, and many other holy mountains in Lydia, Cybele (the great Mother of Mountains) was worshipped under the name Hipta, which is a Greek form of Hepat, the Great Goddess of the Hurrians.  Hipta/Hepat an eastern Great Goddess, was virtually unknown except in the Orphic Hymns (the next hymn, #49, is addressed to her) until 20th century excavation in Anatolia rediscovered her inscribed into the walls of a very early neolithic temple.  We know very little about her worship, but it was almost certainly very similar to that of Cybele.

The consecration ritual of a priest of Cybele is self-castration during ecstatic (often called "Bacchic" in Greek) frenzy.

Κλῦθι πάτερ, Κρόνου υἱέ Σαβάζιε κύδιμε δαῖμον
Listen! father Kronos son Sabazios, glorious daimon

ὃς Βάκχον Διόνυσον ἐρίβρομον εἰραφιώτην
Who Bacchus Dionysus loud-shouting Eiraphiotes

μηρῷ ἐγκατέραψας
Thigh stitch together entrails

ὅπως τετελεσμένος ἔλθοι
so that consecration ritual come
("telesmos", which I have called a "consecration ritual" could be rendered even more literally as "talisman making")

Τμῶλον ἐς ἠγάθεον παρὰ θ’ Ἵππαν καλλιπάρῃον
Tmolos toward most-holy beside Hipta pretty-cheeked

ἀλλά, μάκαρ, Φρυγίης μεδέων βασιλεύτατε πάντων
But blessed Phrygian guardian big-king everything

εὐμενέων ἐπαρωγὸς ἐπέλθοις μυστιπόλοισιν
Gracious helper approach preforming mystic rites

Wednesday, May 30, 2018

The Orphic Hymn to Okeanos

original Okeanos ikon by Sara Mastros & Brian "Chase" Charles

The Orphic Hymn to Okeanos

Imperishable ocean, to you we now call,
Eternal Okeanos, undying Father of All.
Gods and humans both arise from your infinite flow
and all things above begin deep below.
You encircle the earth with great heavings surges
Eternal blue depths where every river converges,
Wellspring of water nymphs, source of the sea,
Birth waters of the Earth, awesome and holy,
Hear us, blessed one, sumptuous divine purifier,
and rain down on our planet all we require.
Your  watershed reaches the ends of the earth,
Your encircling boundary is death and rebirth,
Great Father Ocean, grant your initiates plea:
Gift your favor forever, as vast as your sea. If you enjoyed this translation, please consider pre-ordering my new book,
The Orphic Hymns Grimoire at www.OrphicHymns.com You can read more about Okeanos here:

Monday, May 21, 2018

The Orphic Hymns Grimoire

Tomorrow at 9:39 am (because astrology) the Kickstarter for my Orphic Hymns Grimoire goes live.  Since I'm a big believer in "try it before you buy it", I've included a sample chapter (the one on Tyche, the goddess of luck and fortune) below. Click here or on the ikon to read it. Please enjoy it, and check out the project at www.OrphicHymns.com

The Goddess of Fortune

Come, Tyche!  
We call you, Enodia supreme,
Sovereign of crossroads, altogether good Queen.
Song-renowned daughter of Euboleus’ bloodline:
the good guide who fell, along with his swine,
through the cavernous crack in the crust of the earth,
when Kore descended at Persephone's birth.
Tyche, we call in the great name of Artemis!
Gentle essence of fortune, wondrous and marvelous,
Your irresistible wish is our sovereign command,
For yours is the increase of riches and the wealth of the land.
Sorcerous and streetwise, you weave the tapestry of fate,
with stitches of riches, for those you appreciate.
But those who anger you, you sew into poverty,
Spinning their minds into tangles of anxiety.
Sweet goddess, Eutykhia, be my lifelong companion,
Rain down your favor and your nourishing compassion.
Grant happiness, strong-wishing, and generous charity,

Bless our lives and our work with unending prosperity.


Saturday, May 5, 2018

The Lyres of Ur

As most of you know, I've been working on retranslating the Orphic Hymns.  The Hymns are a collection of invocational orations, written in Turkey, likely in the 3rd century CE.  Unquestionably, they represent a much older tradition. The 1962 discovery of the Derveni papyrus, from the 5th century BCE, contains commentary on material similar to the Orphic hymns, and treats it as already old.

The magical current we call Orphism undoubtedly entered the Greek speaking world from the East.  The hymns contain the names of several Anatolian deities who were otherwise unknown in classical Greece, including some which were completely unknown save from the hymns until being rediscovered in inscriptions in Anatolian tombs.  Personally, I believe the current to be extremely old, undoubtedly predating writing.

When I imagine the archetypal Orphic lyre, I am always
imagining the fabulous Lyres of Ur (modern Iraq).  In the late 1920s, a team funded by the British Museum and the University of Pennsylvania excavated the royal tombs at Ur.  Among the many treasures they discovered were three mid-sized lyres and one large harp, all of similar design.  The reconstructed one pictured at the left is held in the British museum, along with another one of similar size coated in silver (called "the queen's lyre).   A plaster mold taken by the archaeologists at the time of it's discovery is pictured above, to give you some idea of the scale of it. The finest of the three lyres, covered in gold, and was held by the National Museum of Iraq until it was stolen or destroyed in 2003.  The final lyre, which is much larger, went to the Penn Museum in Philadelphia, where I first encountered it at the age about 12.

The Great Lyre, called also The King's Lyre, pictured at left, is very similar to the one pictured above, although somewhat larger.  You can see an entire gallery of images from all angles, including some showing restoration in progress, here.   I was overawed when I saw the Great Lyre; his form burned into my mind.  The great golden bull of heaven is often identified as Shamash, the sun god, Below the bull's head, a series of panel illustrations depict fantastical scenes.  You can see them, with the head removed for greater clarity, on the right. 

The first panel depicts the Lord of Beasts, wrestling with two animals.  This is sometimes said to depict the control of nature exercised by the state.  In the next scene, a hyena carries a tray of butchered meat, while a lion holds a large jar and a pitcher similar to some found in the tombs.  (the dagger the hyena is wearing was also found) . In the next panel, a horse plays a lyre while a bear holds it steady.  At the bear's feet, a small animal is playing a rattle.  Finally, in the bottom panel, a deceased spirit meets the scorpion-man, guardian of the entrance of the underworld.

HERE you can listen to a replica of the lost golden lyre, accompanying a recitation of the Epic of Gilgamesh.

Friday, April 13, 2018

Clean Hands Cursing

By now, many of you know that my beloved friend and teacher, Caroline Kenner, was the victim of a brutal crime last week.  You can read about it here: http://wildhunt.org/2018/04/victimized-by-virtual-kidnapping-scam-witch-seeks-payback.html

If you would like to aid in our efforts towards justice, here is what we recommend:

Clean Hands Cursing Instructions
By Caroline Kenner and Sara Mastros
I am a professional shamanic healer and Sara is a professional wonder worker. I call myself a Washington Witchdoctor and Sara calls herself a Witch for Hire. Both of us learned about curses in the process of learning how to neutralize them for ourselves and others. I have taught curse breaking for more than a decade, a curriculum I developed in response to the many curses I’ve needed to UN-do during my career as a shamanic healer.
The last time I cursed anyone like this was in 2011, when a group of fundamentalist Christians decided to curse the United States Pagan community because we, in their dumbass opinions, worship a “dangerous demon” as they call The Queen of Heaven. They cursed the Pagan community state by state in reverse order of admission to the Union. You may read about my and Katrina Messenger’s response to their psychic attacks on our national community here.
When cursing, it is important to remain focused, particularly during a Mercury retrograde period. I strongly suggest *not* adding any other targets to your curse work, but instead remaining focused on a single target, in this case, a syndicate of Mexican extortionists. However, you can apply what you learn here to curse other targets at other times.  It is almost always to do several curses, independently, than try to bundle them together.
Under no circumstances should anyone curse the President now or at any time: we have found there are layers of centuries-old protections around our elected officials, as well there should be. Curses against public officials tend to boomerang. Be warned.
Here is a summary of basic rules about Clean Hands Cursing, rules that Sara and I have both found to be true through practical experience and many years of study.
1. Curses are a Dish Best Served Cold. Never curse in the heat of emotion. This is the most important rule of all. Curse coldly after you have has a chance to calm down.
2. Consider curses to be legal contracts with the Gods. Write down your curses, and then declaim them. Do not extemporize curses.
You endanger yourself by deviating from your written script. Write your curses down in handwriting, then check your written script carefully for possible boomerangs, loopholes, or unclear language that obscures your will from the Gods.
Divine on the petition, and if the response is negative or ambivalent, rework the words until you get a clear positive response. Please understand that there are forces just waiting to trip us up in situations like this. Be careful.
3. Always curse in the names of the Gods, and not in your own name. This type of cursing is essentially extending an invitation for Divine Retribution to fall upon the target.
This rule is essential for the human curser’s protection. Your action is to notify the Gods that a wrongdoing has occurred, and request that They act to rectify or ameliorate the wrong that has been done.
The corollary to this rule: Never specify a preferred penalty. You are inviting Divine Retribution. Divinities will know the karmic history of the wrongdoing, and act accordingly. This type of thing is not given to humans to know. Do not specify a penalty: doing so makes it far more likely that aspects of the curse will boomerang.
4. Curse only specific people for specific actions, and in specific ways. You should never curse an entire category of people, or curse for abstract reasons like “social injustice”.
Such curses are almost sure to boomerang because you live a glass house, and should not be throwing stones willy-nilly.
As you see below, we have defined the curse narrowly to the business enterprises of the criminals. This is not a deathly matter; please respect that.
5. Cursing is very serious. Justified curses often last several lifetimes. Never curse someone lightly.
In most cases, cursing should be reserved for crimes. Cursing is often the only justice available in some situations, for example, the current situation.
In most cases, cursing comes about because of a failure of the mundane justice system combined with asymmetrical power differentials between the criminal and the victim.
Curse only when you are confident there is no other option.
Cursing is the art the Gods taught to the oppressed to fight back.
6. If you believe you have cursed someone, and you regret doing so, follow the same directions for cursing below, and UN-curse, or release, your doomsaying. The method below is a portal, not a one-way route.
Creating a Crucible for Curses
* Identify the target of the curse very clearly.
* Define the target narrowly.
* Choose a divinity to work with: it is best to choose a longterm ally over a specialist in this work.
Your personal spirit allies will have far more stake in the work than some divinity Who does not know you. Your ally will call in a specialist to assist Them if there is need. Trust your normal spirit allies to defend you. Even the Blessed Virgin does this type of work under certain circumstances.
Asking either one or a small number of spirits to assist you in this work is far more effective than asking a large diverse group of spirits. However, if you work predominantly with one entire pantheon, it’s fine to call on the whole pantheon.
It is bad practice to involve spirits Who have divided loyalties in baneful work. Don’t put spirits in that sort of position: again, this liable to cause boomeranging.
In this case, please do not invoke Santissima Muerte or the Blessed Virgin of Guadalupe. I love both of Them dearly, and They both have images in the Conjure Dance. Think about the Trojan War, and how the Gods took sides in ardent divine combat. No divided loyalties, please.
Suggestions for Cursing the Mexican Extortionists:
Here is a summary of my personal work for the next three nights. I have requested assistance from some of the Gods I work most closely with. Tonight, Friday the 13th, I am working with Loki. Tomorrow night, I am working with Eris and Wayland the Smith. Sunday, I am working Papa Legba.
I will make a fire in my barbecue grill in the ritual circle at the top of the hill. I will have a bottle of rum left over from the Conjure Dance, and the already-handwritten petition to Loki, as well as one of my rattles. I will sing the shamanic songs I always sing that many of you are familiar with. And then, when sacred space is established and all of my helping spirits are present, I will read my pre-written curse aloud. Then, with some dancing around and gathering energy beforehand, I will burn the piece of paper. Burning the paper releases the curse fully, in my experience. I pour libations at the beginning and the end of all my workings.
Here is the spell I am going to work with, again, courtesy of Sara Mastros, a specialist in spellcraft. Once you learn the basic structure of this spell, you can easily adapt it to any future cursing needs if you wish.
Begin by preparing your petition, and lighting a fire. If you cannot use a large flame outside or in a hearth, light a small tea light, and work over the sink. As always, when working with fire, take sensible safety precautions. You will also need wine, liquor, oil, honey, milk or another libation.
Open sacred space, time, and consciousness however you see it. Next, pour the libation, call in your personal allies, and read the following aloud:
Moon Wane. Work bane.
Mercury Retrograde is the curser's aid.
Mars Direct, the Just protect.
On April the 6th, bad men hurt my friend,
Help bring their scam to a sorry end.
Please take it from here, ___divine ally___ so dear.
I call You, ___divine ally___: please use your might,
to protect and defend Mother-Right, Father-Right.
Help Loki and Eris, Help Wayland the Smith,
Help Legba and Odin to clean out this nest.
They are vipers and liars, extortionist thieves,
who prey using fear causing trauma and grief,
to line their own pockets. These malicious persons
must be brought low, until they’ve learned their lessons.
(end with your preferred sealing of spell, “so mote it be” or preferred equivalent.)
Now, in your fruitiest Columbia School of Broadcasting magical voice, read your pre-written petition aloud. When you have finished reading it, burn it, and release the ashes, into the wind if outside, or down the drain if working inside. (Releasing them into a natural body of running water is ideal but not necessary.)
After the curse is released, speak from your heart, in your own words, thanking your spirit allies and the planetary forces for their help. Return to normal space, time, and consciousness. Be sure to ground by eating at least a small snack. If you feel at all shaky, sprinkle some salt on your head, and then take a shower with a salt rinse at end.
For people of other religions who would like to help: Light a candle, petition your spirits and ask Them to assist bringing down a syndicate of Mexican extortionists that torment parents and grandparents to make their living frightening them and stealing their money. Simple.
Many minds make light work, so to speak, in the world of spells.
Please do not “send light” to the criminals. That’s far more likely to protect them than to expose them. The criminal justice system in Mexico veers among incompetent, uncaring, and completely corrupt. Police, DAs, and judges are likely to be in the pay of organized crime in many if not most jurisdictions. Hoping for any sort of prosecution in Mexico is beyond idealistic, sadly.
Thank you very very much for any efforts you feel like contributing to this enterprise. Love and blessings from Caroline, with a great deal of help from Sara Mastros.


If you'd like to learn more, I sell a video lesson with more in-depth teaching on this matte here: http://mastroszealot.com/store#!/Intermediate-Witchcraft-Lesson-Clean-Hands-Cursing/p/104385619/category=24551343

Wednesday, April 4, 2018

Adonis has two mommies

Yesterday, in a sorcery group, I mentioned the myth of Adonis, and was surprised how many didn't know it.  It's true, like many other stories that conflict with the dominant patriarchal theme, this one was largely sidelined my the more mainstream Olympian oligarchy.  Short of being slang for a very attractive man, we've lost the story of Adonis, of the abused boy, almost entirely.  I'll tell the story, and then I'll talk some more about it.  The version below is largely based on Ovid's telling, although I have woven in others' takes, particularly that of Sappho, as well, in an attempt to tell the story for modern listeners.

On Cyprus, the island of Aphrodite, King Cinyras had sex with his daughter, the blameless virgin Myrrha, and then blamed her for seducing him. This is a story as old as time, and one doubtless playing out in your neighborhood right now. Aphrodite looked kind on the girl, and transformed her into a tree, so that she could not be further abused.  The tree, called myrrh, cries even today, and her tears smell of longing, and grief, and magic.  Myrrha gave birth to beautiful boy, who screamed and caterwauled beneath his tree-mother.  The boy was the most beautiful thing Aphrodite had ever seen, and she picked the boy up, and dandled him, and nursed him at her own breast.  But then, she grew bored of him.  Aphrodite isn't the mothering sort, and so she gave the boy to her cousin, Persephone, to raise below the world.  There, in the silent darkness beneath the world, the boy thrived, growing more and more beautiful every day.  When he was full grown, he was, undoubtedly, the most beautiful human the world had ever seen.  With Persephone's blessing, he walked up out of Hell and into the living world, where Aphrodite saw him again, and she desired him.  Persephone, his mother, did not approve of this mating.  Aphrodite had, after all, turned his mother into a tree, rather than just smiting her rapacious father!  Aphrodite, had, after all, nursed this boy at her own breast!  It just wasn't right.  That was Persephone's stand.  Just not natural.  And also, it wasn't fair.  For Persephone also lusted after the boy, although she would never admit that, or act on it.  The laws of the underworld are strange, we are told, but all-together just.

The sides were drawn up, with the Queen of Life on one side and the Queen of Death on the other.  The world was coming apart at the seams.  Father Zeus intervened, and a compromised was reached.  In the dry season of death, Adonis would be with his mother, Persephone, below the world, among the shades, deathless and immortal, and there he would continue to learn at her side.  In the hot season, the wet season, Adonis would be with Aphrodite, as her human lover.  And the last third of the year, he might spend as will.  The two Queens agreed to this bargain, and then they told Adonis his fate.  Some say that he chose to spend that third with Aphrodite, and some that he spent it wandering the world.  In any case, years passed, with Adonis commuting back and forth from his mother, the Queen of Hell, to his lover, the Great Green Goddess.  And then, one day, the young man went hunting with his companions, who slew a sow, the sacred animal of Persephone.  Adonis gaped in horror, and still was gaping in shock when the wild boar's tusks entered into his belly, and he dropped, bleeding, to the forest floor.  The laws of the underworld are strange, we are told, but all-together just.

Aphrodite, on Cyprus, cried out in pain.  Adonis is dead!  Adonis is dead!  And she taught all the women to weep for him.  Adonis died that the plants might live, it is said.  Adonis's blood waters the fields.

The myth of Adonis, and the cult surrounding it, was almost undoubtedly of eastern origin.  Adonis is the Greco-fication of the Hebrew title Adon, meaning "lord", and nearly all modern scholars are in agreement that this is a Greek retelling inspired by the much older myth of Ereshkigal (Persephone), Ishtar (Aphrodite), and Dmuzi (Adonis).  There is no question that, as a deity, the figure of Adonis is intimately linked, both etymologically and magically, to the Phrygian Attis, the Semitic Tammuz or Baal Hadad, and the Egypian Osiris.

"Attis, beloved of Cybele the Queen.  Attis, the fruit and the grain.
Attis the Christ who could have been.  
Attis the lover of Life.
Julian calls you the Substance of Mind which draws forth Creation to Being.  
You push up the plants from below the black earth, you bring down the light from the stars.
Attis, beloved, the lover of Life, enliven, enlighten, inspire.  
Open to me the seal of the church, make open our way through the hills.
Open within us the seal of the church, make open our way through the hill.
We come in the name of the Mother of All, from the cave in the deep of Her womb.  
We come from the cave at the heart of the Mountain, miles north of the Meander’s mouth.
We come from plains where Artemis reigns, from the city of Sardis last week.
We come from Philadelphia, the city of family love.
Our ancestors stand behind us, descendants we are of the gods.  
The horseman, the king, the duke of our war stands ready to press our case.
Attis, Adonis, the lover of Life, make open the way through the hill." From the fourth gate of Apokalypsis, a game of initiation. The fourth gate is the last public gate.